Showing posts with label gamelkateinthecinema. Show all posts
Showing posts with label gamelkateinthecinema. Show all posts

Atomic Blonde | Film Review

Sunday, 20 August 2017

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Gamelkateinthecinema | Atomic Blonde


Director: David Leitch
Release: 2017
Writer: Screenplay by Kurt Johnstad | Graphic novel series 'The Coldest City' by Antony Johnston
Genre: action/mystery/thriller
Rating: R-16 for sequences of strong violence, language throughout and some sexual nudity

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There were a few pretty crap things in Atomic Blonde that I was totally willing to overlook because I thought it was all so fucking cool. This sexy, punchy and hyper-stylised big screen version of Johnston's graphic novel sees Charlize Theron, an English agent (with a very dodgy English accent), travel to Berlin to meet up with her undercover colleague (James McAvoy) to find out what happened to her ex-boyfriend, while kicking ass and look good doing it. 


Dunkirk | Film Review

Saturday, 22 July 2017


Gamelkateinthecinema | Dunkirk


Director: Christopher Nolan
Release: 2017
Writer: Christopher Nolan | Based on historic events
Genre: Action/drama/history
Rating: PG-13


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I went to see this movie for perhaps the same reason as everyone else in the cinema; to find out if Christopher Nolan could pull off an historical war piece. Being known more for his psychological thrillers, Nolan really has opened himself up to wider directing methods with his latest film Dunkirk. 

King Arthur: Legend of the Sword | Film Review

Sunday, 21 May 2017


Gamelkateinthecinema | King Arthur: Legend of the Sword


Director: Guy Ritchie
Release: 2017
Writers: Story by David Dobkin and Joby Harold | Screenplay by Joby Harold and Guy Ritchie
Genre: Action/adventure/drama
Rating: PG-13


Here is a film with a split personality disorder. On one hand it has Guy Ritchie stamped all over it; an entertaining, modern story about the English class system with slow motion sequences, punchy music, long montages and fast cuts. On the other hand, if you went to see King Arthur with a wild hope of some historical accuracy, craftsmanship or original creative design, you’re not getting it here.